From 1981-1984, a small private school in Dallas owned the best record in college football. The Mustangs of Southern Methodist University were riding high on the backs of the vaunted "Pony Express" backfield. But as the middle of the decade approached, the program was coming apart at the seams. Wins became the only thing that mattered as the University increasingly ceded power of the football program to the city's oil barons and real estate tycoons and flagrant and frequent NCAA violations became the norm. In 1987, the school and the sport were rocked, as the NCAA meted out "the death penalty" on a college football program for the first and only time in its history. SMU would be without football for two years, and the fan base would be without an identity for 20 more until the win in the 2009 Hawaii Bowl. This is the story of Dallas in the 1980's and the greed, power, and corruption that spilled from the oil fields onto the football field and all the way to the Governor's Mansion.

Obsessed with her sexy roommate, Jill violently imprisons Jennifer in their apartment in a twisted attempt to bring them closer together.

Britt Morgan's husband Tom Byron would rather watch a bunch of 300-lb. Brain-dead jocks chase a pig skin around than come to bed and play ball with his ravishing wife, so she gets even by boffing the hell out of Tom Chapman. Unfortunately, her hubby's also getting lovin' on the side when he's not watching the game, and Britt, when she catches him, kicks him out. Although she then heads off to a nudist camp to cool off, but it doesn't work out too well what with all the really hot sex she has with her fellow campers.

A look at the funny side of friendship. The new center of the world is Sugarcube Corner – just like going to a friend’s house after school, this is our ponies’ home away from home. Here, Pinkie Pie serves up frosted cupcakes to the best customers in the world— her friends!

Glace Bay, Nova Scotia Canada, 1901. Willie MacLean is a 10-year-old boy with a love for horses and liking to school to cape the difficult times his family has. Willie's stern, but benevolent father is a coal miner in a local mine along with his older brother John. But when Willie's father is injured and John is killed in an accident at the mine, Willie is forced to step into his brother's shoes to support his older sister Nelle, and two younger sisters until their father recovers. Willie soon finds work at the mine lonely (aka: the pit) and unfriendly in which he forms a bond with a pit pony horse in order to make it though each day.

The interlocking stories of two Lakota boys growing up on Pine Ridge Reservation. At 23, Bill just wants to make something of himself. Meanwhile, 12-year-old Matho can’t wait to become a man. Bound by their shared search for belonging, each of the boys grapple with identity, family, and loss, as they navigate their unique paths to manhood.

Kate, a painter who hasn’t created new work in years, finds inspiration when she happens upon an adult ballet class and quickly falls for her teacher, Laura. As their lives intertwine, Kate is shocked to discover a side of Laura she struggles to accept.

Kate, a painter who hasn’t created new work in years, finds inspiration when she happens upon an adult ballet class and quickly falls for her teacher, Laura. As their lives intertwine, Kate is shocked to discover a side of Laura she struggles to accept.

Smack the Pony is a British sketch comedy show that ran from 1999 until 2003 on Channel 4. Its title was intended to sound like a euphemism for female masturbation; the working title was Spot the Pony. The main performers and writers on the show were Fiona Allen, Doon Mackichan and Sally Phillips. There were also regular appearances from Sarah Alexander and Darren Boyd. The show's popular theme tune was Dusty Springfield's song In the Middle of Nowhere, sung by Jackie Clune. In Germany, the first transmission of the show aired on ProSieben, where the theme tune was changed to Texas' 2001 version of I Don't Want a Lover, and featured a different title sequence.

The story follows an elderly man on his deathbed who gives his young grandson a pocket watch and warns the boy against the dangers of letting time slip away.